With LUX, Rosalía creates more than just an album: it is part pop, part opera, and part world-language manifesto, pushing creative boundaries while preserving her distinct voice.
The Spanish artist and producer shapes the album in four movements across 18 tracks, crafting a balance between noise and silence, high art and catchy hooks, confession and grandeur. Rosalía ascends into LUX like Mary’s assumption.
Throughout her career, Rosalía has drawn heavily from flamenco, a centuries-old art form, transforming it into something modern and fresh. This approach earned her both critical praise and widespread international interest.
In 2017, Rosalía entered the scene as a flamenco disruptor with her debut album Los Ángeles, where she deconstructed the genre’s 50-plus styles — a modular, improvisational interaction involving singer, guitarist, and dancer — and reassembled them into a pop narrative framed by verse and chorus.
Her 2018 album El Mal Querer, initially a baccalaureate thesis and winner of the 2019 Latin Grammy for Album of the Year, advanced this transformation by integrating flamenco's traditional elements with R&B production.
If El Mal Querer was about translating flamenco into a pop language, then LUX delves into the feminine mystique and transcendence beyond language, marking a significant evolution in Rosalía's discography.
“Rosalía ascends into LUX like Mary’s assumption.”
Author's summary: Rosalía's LUX redefines flamenco by blending it with pop, opera, and spirituality, showcasing her growth as an artist and innovator.