‘Death by Lightning’ Review: Michael Shannon Leads a Rollicking Elegy for the American Experiment

‘Death by Lightning’ Review: Michael Shannon Leads a Rollicking Elegy for the American Experiment

The Netflix series Death by Lightning retells the assassination of President James Garfield with sharp wit, a dynamic cast, and insightful storytelling. It blends humor with historical drama to create a compelling look at a turbulent era.

Key Characters and Plot

In one vivid scene, the recent Republican vice-presidential nominee, portrayed by Nick Offerman, stumbles out of a loud bar in the early morning, wearing two hats stacked on his head and nearly walking into a wall with his eyes tightly closed. He only secures a ride home thanks to a supporter whom he mistakenly calls “Cousteau.”

Charles Guiteau, played with a dark charm by Matthew Macfadyen, spends the evening ingratiating himself with Arthur, turning a small past kindness into a chance to join Arthur’s campaign. Guiteau, inspired by President James Garfield (Michael Shannon), hopes to "make an impact" in politics. To escape his troubled past of thefts, debts, and lies across Illinois and New York, he is willing to adopt a new identity.

“If that means going by a different name — one that’s not tied to the thefts, debts, and untold lies he’s sown from Illinois to New York — then a different name he shall have.”

Production and Tone

The series is propelled by a spirited cast and a clever script that captures the chaotic spirit of the era. It serves as a rolicking elegy to the American political experiment, mixing historical fact with sharp, often sly humor.

Summary

Death by Lightning offers a vigorous and nuanced portrait of political ambition and chaos surrounding James Garfield’s assassination, highlighted by standout performances from Michael Shannon and Matthew Macfadyen.

Author’s summary: This series blends humor, history, and compelling performances to illuminate the turbulent political landscape during the assassination of James Garfield.

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IndieWire IndieWire — 2025-11-06

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